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NEW: HandsOn HDV

A complete guide to the HVR-Z1U and HDR-FX1.

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90 minutes of tutorials, tips, tricks and ideas from pros with real shooting experience. Available on DVD.

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LENS ACCESSORIES

Wide Conversion Lens
Part # VCL-HG0872

PL Filter Kit
Part # VF-72CPK

BATTERIES

Info-Lithium L series battery
7.2V / 2200mAh
Part # NP-F570

Info-Lithium L series battery
7.2V / 4400mAh
Part # NP-F770

Info-Lithium L series battery
7.2V / 6600mAh
Part # NP-F970

CHARGER

AC Adaptor / Charger
Part # ACV700A

AUDIO ACCESSORIES

Short Shotgun Microphone
Part # ECM-670

Electret Condenser Microphone
Part # ECM-678

Lav Mic, Bodypack TX and Portable RX Wireless System
Part # UWPC1/6264
Part # UWPC1/6668

Handheld Mic TX and Portable RX Wireless System
Part # UWPC2/6264
Part # UWPC2/6668

OTHER ACCESSORIES

Battery Video Light
Part # HVL-20DW2

Shoulder Brace
Part # VCT-FXA

Rain Jacket
Part # LCR-FXA

CASES

Sony Soft Carrying Case
Part # LC-Z1BP

Sony Hard Carrying Case
Part # LC-Z1TH

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HDV PROFESSIONAL DECK

The Sony HVR-M10U is an affordable, portable professional deck.

It records and plays HDV, in addition to DVCAM and mini-DV tapes at all the same frame rates as the HVR-Z1U camcorder. It's also a terrific bridge from SD to HD.

Other features include downconversion to SD, HDV 720P playback, SMPTE time code, AC/DC power and a 3.5-inch LCD monitor for confidence playback (viewable area measured diagonally).

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MEDIA THAT MAKES THE MOST OF HDV RECORDING

To realize the full potential of HDV, DVCAM and DV formats, professionals choose Sony DigitalMaster tape.

While the HDV format can accept conventional DV tape, only DigitalMaster tape has a dual layer of magnetic material.

The result? Higher RF output, lower noise, 95% fewer errors and 60% fewer dropouts compared to DV tape!

Exactly the performance that professionals require.
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Overview

HDV Turns Pro

The Sony HVR-Z1U professional camcorder shoots brilliant high definition 1080i pictures with jaw-dropping detail, color and clarity. The HDV system records onto highly affordable, widely-available DV cassettes, including Sony’s reference-quality DigitalMaster tape. The scene is captured by a Carl Zeiss Vario-Sonnar T* 12x zoom lens with Optical Image Stabilization.

The picture is created by three Sony Super HAD CCDs for outstanding sensitivity. Not only does each CCD have 1.04 million active pixels, but pixel offset technology achieves gorgeous 1440 x 1080 resolution. With Sony’s native 16:9 CCDs, you’ll never sacrifice image quality to achieve a widescreen picture. And the picture is not only fabulous in HD, but also spectacular in SD. Which makes the HVR-Z1U a standout in standard definition.

CAMERA

  • Three 1/3-inch 1.04 Megapixel CCDs for superb resolution and color rendering. Pixel offset technology achieves system resolution of 1440 x 1080.

  • New generation Sony Super HAD CCD for high sensitivity and dynamic range.

  • Native 16:9 CCD aspect ratio for widescreen shots without compromise both in SD and HD.

  • Carl Zeiss Vario-Sonnar T* High Definition lens with 12x optical zoom for superb contrast and resolution (32.5 to 390 mm, 35mm equivalent).

  • Optical image stabilization for smoother, more watchable results under motion, when compared to non-stabilized images.

  • Manual and automatic zoom, focus, shutter and 24-step iris for precise image control. Zoom indicator in viewfinder.

  • Auto Focus makes shooting in HD or SD a breeze.

  • Programmable Shot Transition automatically executes a move in any combination of focus, zoom, iris, gain, shutter or white balance.
RECORDING FEATURES

  • HDV 1080i recording and playback. Captures the outstanding picture quality of 1080i high definition and standard definition onto mini DV tapes

  • DVCAM and DV format record/playback maintains compatibility with your existing infrastructure and workflow.

  • HD i.LINK downconversion for smooth transition from HD to SD.

  • Switchable 50i/60i recording in HD and SD to support world markets.

  • 480P true progressive mode for gorgeous standard definition imagery.

  • CineFrame 24, 25 and 30-frame recording in HD or SD.

  • SMPTE time code features presets, DF/NDF select, RecRun/Free Run select, Reset and Regeneration; enables frame-accurate access to recorded scenes.

  • Built-in downconversion to SD for compatibility with existing infrastructure via i.LINK interface.

  • Flexible aspect ratio conversion from 16:9 to 4:3 with a choice of squeeze, crop or letterbox.

  • i.LINK IEEE1394 interface for SD and HD maintains digital signal integrity.
MONITORING

  • 3.5-inch Hybrid widescreen LCD (viewable area measured diagonally) doubles as a viewfinder and playback monitor that you can watch even in full sunlight.

  • Expanded Focus mode magnifies the center of the screen 4x, making critical manual focus easy. Does not affect recorded image.

  • Center, Safety and 4:3 Markers help define and protect the picture area.

  • All Scan Monitoring (overscan) shows the complete picture up to the edge.
CREATIVE CONTROL

  • Six assignable buttons are perfectly located to give fast access to a choice of 15 frequently-used menu functions.

  • Hyper Gain supports night shooting at less than 1 lux.

  • Six Picture Profiles make it easy to store and recall favorite "looks."

  • Two Cinematone Gamma settings manage exposure latitude to protect the highlights from blowing out or the blacks from crushing.

  • Black Stretch for additional control over black gamma.

  • Color Correction creates striking effects; adjusts up to two colors of a selected object leaving the rest B&W.

  • Skin Tone Detail helps reduce the appearance of wrinkles, blemishes, and pores with High, Medium or Low settings.

  • Personal Menu button gives you fast access to the features used most often.

  • Six gamma settings.
AUDIO

  • Two balanced XLR audio inputs with 48-volt phantom power for professional microphones.

  • Independent L/R audio level controls, independent L/R AGC, independent L/R audio level meters for precise control.

  • Professional stereo microphone built in.

  • Audio lock mode.
GENERAL

  • Supplied AC-VQ850D professional battery charger/power supply frees up the camcorder during the charge cycle.

Specifications

    CAMERA SECTION

Lens:
Carl Zeiss Vario-Sonnar T* zoom lens, 12x (optical),
f = 4. 5 to 54 mm, f = 32.5 to 390 mm* at 16:9 mode,
f = 40 to 480 mm* at 4:3 mode, F = 1.6 to 2.8, filter diameter: 72 mm
NOTE: (*) These values are calculated to be equivalent to the 35 mm film.

Built-in filter: 1/6 ND, 1/32 ND
Focus: Auto, manual (focus ring/infinity position), one push auto
Imaging device: 3-chip 1/3-inch type CCDs
Picture elements:
Approx. 1,070,000 pixels (effective), approx. 1,120,000 pixels (total)
White balance:
Auto, one-push auto, indoor (3200 K), outdoor (5800 K ±7 steps)

Shutter speed:

60i/NTSC mode
1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000 sec
50i/PAL mode
1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000 sec

Exposure: Auto, manual
Gain: 0, 3, 6, 9, 12, 15, 18 dB (adjustable for H, M and L gain positions)
Minimum illumination: 3 lx with F1.6 at 18 dB

    VTR SECTION

Recording format: 1080/60i, 1080/50i, 480/60i (NTSC), 576/50i (PAL)
Play out/Down conversion format:
1080/60i, 1080/50i, 480/60i (NTSC), 576/50i (PAL), 480/60p, 576/50p

Tape speed:

HDV/DV SP: Max. 18.812 mm/s with PHDVM-63DM cassette
DVCAM: Max. 28.218 mm/s with PHDVM-63DM cassette

Playback/Recording time:

HDV/DV SP: Max. 63 min with PHDVM-63DM cassette
DVCAM: Max. 41 min with PHDVM-63DM cassette

Fast forward/Rewind time: Approx. 2 min 40 sec with PHDVM-63DM cassette

    INPUT/OUTPUT CONNECTORS

Audio/Video input/output:

Audio/Video jack x1
Video signal: 1 Vp-p, 75 Ohm unbalanced, sync negative
Audio signal: 327 mV (at load impedance 47 kOhm), input impedance more than 47 kOhm, output impedance less than 2.2 kOhm

S-video input/output:

Mini-DIN 4-pin x 1
Y: 1 Vp-p, 75 Ohm unbalanced, sync negative
C: 0.286 Vp-p (NTSC), 0.3 Vp-p (PAL), 75 Ohm unbalanced

Component video output:

Component Output jack
Y: 1 Vp-p (0.3 V, sync negative)
Pr/Pb (Cr/Cb): 525 mVp-p (75% color bar), input impedance 75 Ohm

i.LINK Interface: 4-pin
XLR audio input:
XLR 3-pin female x 2, 327 mV, -60 dBu: 3 kOhm, +40 dBu: 10.8 kOhm, power supply: approx. 40 V
Headphone: Stereo 3.5 mm mini-jack
LANC: Stereo 2.5 mm mini-mini-jack

    BUILT-IN INPUT/OUTPUT DEVICES

LCD viewfinder:
0.44-inch type, approx. 252,000 pixels (1120 x 225), hybrid type
LCD monitor:
3.5-inch (viewable area, measured diagonally),
approx. 250,000 pixels (1120 x 224), hybrid type
Microphone: Stereo type, noise reduction on/off

    GENERAL

Weight:
4 lbs., 10 oz. (2.1 kg) including lens cap
5 lbs., 5 oz. (2.4 kg) including lens cap, battery and tape
Dimensions (WHD): 6-3/8 x 7-5/8 x 14-3/8 inches (163 x 194 x 365 mm)
Power requirements: DC 7.2 V (battery pack)
Power consumption:
HDV: Approx. 8.0 W (recording mode with LCD viewfinder on)
DVCAM/DV: Approx. 7.6 W (recording mode with LCD viewfinder on)
Operating temperature: 32 to 104 °F (0 to 40 °C)
Storage temperature: -4 to 140 °F (-20 to +60 °C)

   SUPPLIED ACCESSORIES

  • AC-VQ850 AC adaptor/charger
  • power cord
  • connecting cord
  • lens hood
  • large eyecup
  • RMT-841 wireless Remote Commander unit
  • A/V connecting cable
  • component video cable
  • shoe adaptor
  • NP-F570 InfoLITHIUM rechargeable battery pack
  • size AA (R6) batteries (2)
  • cleaning cassette
  • shoulder strap
  • operating instructions

    More Info

    HVR-Z1U Brochure
    HDV Family Brochure
    Instruction Manual

    "The HVR-Z1U performed right out of the box! I just went to a programmed film look preset and let it go.  Detail in the highlights, detail in the shadows, practically no visible gain, even at 12db. And, it still held detail in the bright areas.

    So, I used it on CBS' series JAG.  The producers were amazed at how well the shots intercut with the 35mm footage. No, it's not a replacement for the F900, which gives you twice as sharp an image, much deeper color and detail and far more control over gamma and  other set ups - not to mention critical lens control.

    But, for tight spots like cockpits, vehicle mounts, or underwater shots - the HVR-Z1U is the answer!"


    -- Jody Eldred, Producer/Director and Camerman - JAG