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NEW:
HandsOn HDV
A complete guide to the HVR-Z1U and HDR-FX1.

90 minutes of tutorials, tips, tricks
and ideas from pros with real shooting experience. Available on DVD.
>> more info
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LENS ACCESSORIES
Wide Conversion Lens Part # VCL-HG0872
PL Filter Kit
Part # VF-72CPK
BATTERIES
Info-Lithium L series battery 7.2V / 2200mAh Part # NP-F570
Info-Lithium L series battery 7.2V / 4400mAh Part # NP-F770
Info-Lithium L series battery 7.2V / 6600mAh Part # NP-F970
CHARGER
AC Adaptor / Charger
Part # ACV700A
AUDIO ACCESSORIES
Short Shotgun Microphone
Part # ECM-670
Electret Condenser Microphone
Part # ECM-678
Lav Mic, Bodypack TX and Portable RX Wireless System
Part # UWPC1/6264
Part # UWPC1/6668
Handheld Mic TX and Portable RX Wireless System
Part # UWPC2/6264
Part # UWPC2/6668
OTHER ACCESSORIES
Battery Video Light
Part # HVL-20DW2
Shoulder Brace
Part # VCT-FXA
Rain Jacket
Part # LCR-FXA
CASES
Sony Soft Carrying Case
Part # LC-Z1BP
Sony Hard Carrying Case
Part # LC-Z1TH
CALL/CLICK TO ORDER
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HDV PROFESSIONAL DECK
The Sony HVR-M10U is an affordable, portable professional deck.
It records and plays HDV, in
addition to DVCAM and mini-DV tapes at all the same frame rates as the HVR-Z1U
camcorder. It's also a terrific bridge from SD to HD.
Other features include downconversion
to SD, HDV 720P playback, SMPTE time code, AC/DC power and a 3.5-inch LCD monitor
for confidence playback (viewable area measured diagonally).
>> more info
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MEDIA THAT MAKES THE MOST OF HDV RECORDING
To realize the full potential of HDV, DVCAM and DV formats,
professionals choose Sony DigitalMaster tape.
While the HDV format can accept conventional DV tape, only DigitalMaster tape has a dual
layer of magnetic material.
The result? Higher RF output, lower noise,
95% fewer errors and 60% fewer dropouts compared to DV tape!
Exactly the performance that professionals require.
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HDV Turns Pro
The Sony HVR-Z1U professional camcorder shoots brilliant high definition 1080i pictures
with jaw-dropping detail, color and clarity. The HDV system records onto highly affordable,
widely-available DV cassettes, including Sony’s reference-quality DigitalMaster tape. The scene
is captured by a Carl Zeiss Vario-Sonnar T* 12x zoom lens with Optical Image Stabilization.
The picture is created by three Sony Super HAD CCDs for outstanding sensitivity. Not only
does each CCD have 1.04 million active pixels, but pixel offset technology achieves gorgeous
1440 x 1080 resolution. With Sony’s native 16:9 CCDs, you’ll never sacrifice image quality to
achieve a widescreen picture. And the picture is not only fabulous in HD, but also spectacular
in SD. Which makes the HVR-Z1U a standout in standard definition.
CAMERA
- Three 1/3-inch 1.04 Megapixel CCDs for superb resolution
and color rendering. Pixel offset technology achieves
system resolution of 1440 x 1080.
- New generation Sony Super HAD CCD for high sensitivity
and dynamic range.
- Native 16:9 CCD aspect ratio for widescreen shots
without compromise both in SD and HD.
- Carl Zeiss Vario-Sonnar T* High Definition lens with 12x
optical zoom for superb contrast and resolution (32.5 to
390 mm, 35mm equivalent).
- Optical image stabilization for smoother, more watchable
results under motion, when compared to non-stabilized
images.
- Manual and automatic zoom, focus, shutter and 24-step
iris for precise image control. Zoom indicator in viewfinder.
- Auto Focus makes shooting in HD or SD a breeze.
- Programmable Shot Transition automatically executes a
move in any combination of focus, zoom, iris, gain,
shutter or white balance.
RECORDING FEATURES
- HDV 1080i recording and playback. Captures the
outstanding picture quality of 1080i high definition and
standard definition onto mini DV tapes
- DVCAM and DV format record/playback maintains
compatibility with your existing infrastructure and workflow.
- HD i.LINK downconversion for smooth transition from
HD to SD.
- Switchable 50i/60i recording in HD and SD to support
world markets.
- 480P true progressive mode for gorgeous standard
definition imagery.
- CineFrame 24, 25 and 30-frame recording in HD or SD.
- SMPTE time code features presets, DF/NDF select,
RecRun/Free Run select, Reset and Regeneration; enables
frame-accurate access to recorded scenes.
- Built-in downconversion to SD for compatibility with
existing infrastructure via i.LINK interface.
- Flexible aspect ratio conversion from 16:9 to 4:3 with a
choice of squeeze, crop or letterbox.
- i.LINK IEEE1394 interface for SD and HD maintains digital
signal integrity.
MONITORING
- 3.5-inch Hybrid widescreen LCD (viewable area measured
diagonally) doubles as a viewfinder and playback monitor
that you can watch even in full sunlight.
- Expanded Focus mode magnifies the center of the screen
4x, making critical manual focus easy. Does not affect
recorded image.
- Center, Safety and 4:3 Markers help define and protect the
picture area.
- All Scan Monitoring (overscan) shows the complete picture
up to the edge.
CREATIVE CONTROL
- Six assignable buttons are perfectly located to give fast
access to a choice of 15 frequently-used menu functions.
- Hyper Gain supports night shooting at less than 1 lux.
- Six Picture Profiles make it easy to store and recall
favorite "looks."
- Two Cinematone Gamma settings manage exposure
latitude to protect the highlights from blowing out or the
blacks from crushing.
- Black Stretch for additional control over black gamma.
- Color Correction creates striking effects; adjusts up to two
colors of a selected object leaving the rest B&W.
- Skin Tone Detail helps reduce the appearance of wrinkles,
blemishes, and pores with High, Medium or Low settings.
- Personal Menu button gives you fast access to the
features used most often.
- Six gamma settings.
AUDIO
- Two balanced XLR audio inputs with 48-volt phantom
power for professional microphones.
- Independent L/R audio level controls, independent L/R AGC,
independent L/R audio level meters for precise control.
- Professional stereo microphone built in.
- Audio lock mode.
GENERAL
- Supplied AC-VQ850D professional battery charger/power
supply frees up the camcorder during the charge cycle.
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CAMERA SECTION
Lens:
Carl Zeiss Vario-Sonnar T* zoom lens, 12x (optical),
f = 4. 5 to 54 mm, f = 32.5 to 390 mm* at 16:9 mode,
f = 40 to 480 mm* at 4:3 mode, F = 1.6 to 2.8, filter diameter: 72 mm
NOTE: (*) These values are calculated to be equivalent to the 35 mm film.
Built-in filter: 1/6 ND, 1/32 ND
Focus: Auto, manual (focus ring/infinity position), one push auto
Imaging device: 3-chip 1/3-inch type CCDs
Picture elements: Approx. 1,070,000 pixels (effective), approx. 1,120,000 pixels (total)
White balance: Auto, one-push auto, indoor (3200 K), outdoor (5800 K ±7 steps)
Shutter speed:
60i/NTSC mode
1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725,
1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/10000 sec
50i/PAL mode
1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600,
1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000 sec
Exposure: Auto, manual
Gain: 0, 3, 6, 9, 12, 15, 18 dB (adjustable for H, M and L gain positions)
Minimum illumination: 3 lx with F1.6 at 18 dB
VTR SECTION
Recording format: 1080/60i, 1080/50i, 480/60i (NTSC), 576/50i (PAL)
Play out/Down conversion format: 1080/60i, 1080/50i, 480/60i (NTSC), 576/50i (PAL), 480/60p, 576/50p
Tape speed:
HDV/DV SP: Max. 18.812 mm/s with PHDVM-63DM cassette
DVCAM: Max. 28.218 mm/s with PHDVM-63DM cassette
Playback/Recording time:
HDV/DV SP: Max. 63 min with PHDVM-63DM cassette
DVCAM: Max. 41 min with PHDVM-63DM cassette
Fast forward/Rewind time: Approx. 2 min 40 sec with PHDVM-63DM cassette
INPUT/OUTPUT CONNECTORS
Audio/Video input/output:
Audio/Video jack x1
Video signal: 1 Vp-p, 75 Ohm unbalanced, sync negative
Audio signal: 327 mV (at load impedance 47 kOhm), input impedance more than 47 kOhm, output impedance less than 2.2 kOhm
S-video input/output:
Mini-DIN 4-pin x 1
Y: 1 Vp-p, 75 Ohm unbalanced, sync negative
C: 0.286 Vp-p (NTSC), 0.3 Vp-p (PAL), 75 Ohm unbalanced
Component video output:
Component Output jack
Y: 1 Vp-p (0.3 V, sync negative)
Pr/Pb (Cr/Cb): 525 mVp-p (75% color bar), input impedance 75 Ohm
i.LINK Interface: 4-pin
XLR audio input:
XLR 3-pin female x 2, 327 mV, -60 dBu: 3 kOhm, +40 dBu: 10.8 kOhm, power supply: approx. 40 V
Headphone: Stereo 3.5 mm mini-jack
LANC: Stereo 2.5 mm mini-mini-jack
BUILT-IN INPUT/OUTPUT DEVICES
LCD viewfinder: 0.44-inch type, approx. 252,000 pixels (1120 x 225), hybrid type
LCD monitor: 3.5-inch (viewable area, measured diagonally), approx. 250,000 pixels (1120 x 224), hybrid type
Microphone: Stereo type, noise reduction on/off
GENERAL
Weight:
4 lbs., 10 oz. (2.1 kg) including lens cap
5 lbs., 5 oz. (2.4 kg) including lens cap, battery and tape
Dimensions (WHD): 6-3/8 x 7-5/8 x 14-3/8 inches (163 x 194 x 365 mm)
Power requirements: DC 7.2 V (battery pack)
Power consumption:
HDV: Approx. 8.0 W (recording mode with LCD viewfinder on)
DVCAM/DV: Approx. 7.6 W (recording mode with LCD viewfinder on)
Operating temperature: 32 to 104 °F (0 to 40 °C)
Storage temperature: -4 to 140 °F (-20 to +60 °C)
SUPPLIED ACCESSORIES
AC-VQ850 AC adaptor/charger
power cord
connecting cord
lens hood
large eyecup
RMT-841 wireless Remote Commander unit
A/V connecting cable
component video cable
shoe adaptor
NP-F570 InfoLITHIUM rechargeable battery pack
size AA (R6) batteries (2)
cleaning cassette
shoulder strap
operating instructions
"The HVR-Z1U performed right out of the box! I just went to a programmed film
look preset and let it go. Detail in the highlights, detail in the shadows, practically
no visible gain, even at 12db. And, it still held detail in the bright areas.
So, I used it on CBS' series JAG. The producers were amazed at how well the shots intercut
with the 35mm footage. No, it's not a replacement for the F900, which gives you twice
as sharp an image, much deeper color and detail and far more control over gamma and other set ups -
not to mention critical lens control.
But, for tight spots like cockpits, vehicle mounts, or underwater shots - the HVR-Z1U is the answer!"
-- Jody Eldred, Producer/Director and Camerman - JAG
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