View Shopping Cart

Related Products
FROM REEL CLASSROOM

Light On Vol. 1: Introduction to Lighting for Film & Video

Light On Vol. 2:
Green Screen Lighting

FROM VASST

Light it Right – Contemporary Lessons in Video Lighting
FROM VORTEX MEDIA

How to Setup, Light, and Shoot Great Looking Interviews

A hands-on, practical guide for TV and video cameramen of all abilities. It teaches all the fundamentals and advanced techniques you need to know for lighting great looking interviews with a $1500 light kit.
>> more info
FROM IKAN CORP

Ikan SL100 Fluorescent Softbox Light Kit

A great way to light your interviews. Using only 99 Watt fluorescent bulbs, the kit produces an energy efficient soft light that's more comfortable to your talent.

>>> more info
Departments
Overview

A crash course in the principles of lighting
Essential lighting training for visual media productions

The minute you finish watching these tutorials you'll want to shoot a project to try out the techniques! This DVD is a must-see before you take your new camera out of the box. Whether you are planning a career as a lighting technician or simply want to know how to create and find quality lighting this 50-minute video is packed with the essential knowledge to give your viewers a great visual experience! The expanded 2nd edition includes:

THEORY AND STYLES OF LIGHTING - 22 min.

The original (22-minute) crash course for Lighting echnicians goes into the studio, outdoors and 3D graphics animations to give clear and vivid examples and explanations of universally useful lighting principles. This is the tutorial that can save your next video, film or photograph! These are the "keys" to lighting that produce good images in nearly any situation. Don't guess at lighting, master it and give your viewers a great visual experience.

LIGHTING FOR INTERVIEWS - 16 min.

Solid, professional lighting for interviews and talking heads is not difficult if you know some basic principles and methods. This tutorial goes step-by-step through a typical interior location interview setup to show you the process and results in detail. Then you see a "quick" interview setup that can be done in seconds with good results. Finally, you see alterations in the basic setup to produce masculine, feminine, dramatic and conservative interview lighting styles.

LIGHTING FOR CHROMA KEY - 12 min.

Chroma Key (Green Screen) image compositing is a vital tool that enables small-scale production to get a "bigger" look with more visual interest on a limited budget, but it presents special challenges. This step-by-step chroma key demonstration and explanations are designed to eliminate the common problems with chroma key lighting and compositing.

ABOUT THE INSTRUCTOR

Jerry Day has worked in film, video and photography over a 35-year career starting in his teens producing, designing, directing, lighting, operating camera and editing hundreds of projects including television series & specials, commercials, documentaries, news, infomercials, education and contract work of all kinds.

In 2002 Jerry Day Productions produced and aired, as a community arts program, STREET MUSIC LOS ANGELES, a four half-hour series on KDOC-TV, LA which, competing with major network programming, took the Los Angeles Area Emmy for Producer/Host in the category of "Public Affairs Program More Than 50% Remote".

Jerry Day Productions has worked with major political and entertainment figures in a wide spectrum of award-winning and public-spirited media projects.

Topics Covered

THEORY AND STYLES OF LIGHTING

The insiders' tips that are not easy to pick up by trial and error. Crash course for early-career lighting technicians.

LIGHTING FOR INTERVIEWS

Demonstrations of proessional interview lighting setups and styles step-by-step, plus a super-quick interview set-up.

LIGHTING FOR CHROMA KEY

Avoid costly mistakes and get your chroma key lighting right the first time. Full explanations and demonstrations.

Specifications

  • English, color
  • NTSC all regions DVD-5
  • Running time: 50 minutes

    "I am impressed with Jerry Day's ability to pack so much useful information into a twenty minute package. His direct, no-nonsense style leads the neophyte movie maker on a fascinating journey on the nature of light and how to control it to bring out the most emotional value in any scene.

    What I like most is that he did not talk down or talk over the heads of the viewers. His fast-paced style forces the audience to pay attention so they can absorb all of the tips, tricks, and applications. His directness speaks to his believability and gives authority to the smallest detail."


    -- Tony Luna, instructor, Art Center College of Design